Craft Archives – Page 92 of 109

How do you make the audience care about characters in your screenwriting?

Have you written a character about whom your audience couldn’t care less if he lives or dies? Let's explore sympathetic characters in screenwriting.

by: Frankie Stein

Zero to Hero

Why do all the characters in your screenwriting sound the same?

Nothing's worse than characters who sound like bots. We have some tactics to get the ball rolling for creating realistic characters in your screenwriting.

by: Frankie Stein

Zero to Hero

How do you write a monologue to illustrate a screenwriting character’s identity?

A monologue in your screenwriting to display a character’s personality can be cheating. In scripts, you have to show who your characters are.

by: Frankie Stein

Zero to Hero

Why does your screenwriting dialogue suck so hard?

We’re here to tell you why your screenwriting dialogue sucks – and just what you need to do to make it shine like gold nuggets in a clear mountain stream.

by: Frankie Stein

Zero to Hero

What do I put on my plot index cards for my screenwriting?

Is your plot summation a book-length essay? We gots all the insider tricks used in screenwriting so you can rock your beat sheet to the max.

by: Frankie Stein

Zero to Hero

Why is structure in screenwriting important?

Screenwriting is structure. That’s what makes it screenwriting! It’s simply not an option to disregard structure in your script.

by: Frankie Stein

Zero to Hero

What are the different kinds of Hero’s Journey in screenwriting?

We provide a breakdown of character arcs to consider when writing your Hero's Journey in order to give it maximum impact.

by: Frankie Stein

Spotlight

The Best First Date Tips for Women

Effective first date tips to ensure success with your first date, enabling you to make a great first impression and gain control from the outset.

by: Frankie Stein

Zero to Hero

How do you find your screenwriting voice?

Ever found yourself writing a script similar to a film you like? Every writer writes differently; every writer has his or her own screenwriting voice.